Time for another monthly round-up! Over at Satanic Pandemonium I've been continuing my British horror series and I just wrapped up an in-depth look at the genre films of the studio Tigon British Film Productions. This month I'm going to move on to British horror films made in the '60s not under the particular umbrella of Hammer, Amicus, or Tigon.
Over at Diabolique, we've continued our American Gothic-themed summer season. My essays for it have included:
Moral Degenerates: Rediscovering Leslie Stevens' Private Property (1960)
Gothic Madmen: John Brahm's Forgotten Horror Trilogy
The Mausoleum of All Hope and Desire: Southern Gothic Cinema, Part Two
Much of Madness, More of Sin: Edgar Allen Poe's "The Black Cat" on Screen
Gothic Film in the '40s: Doomed Romance and Murderous Melodrama
Gothic Film in the '40s: Domestic Terror and Supernatural Drama
I also reviewed Mondo Macabro's special edition Symptoms (1974) Blu-ray release, even though I wrote the liner essay. I couldn't help myself.
I spent the last few months doing an in-depth series on the complete filmography of Polish director Andrzej Żuławski. With lots of emotion -- and wishing I could continue it forever -- I finished up the series with an essay on La fidélité (2000), his penultimate film. And even though I was supposed to take a few months off, I immediately began a new series on the completely filmography of British director Ken Russell with a look at some of his early Monitor episodes for the BBC, Elgar (1962) and Béla Bartók (1964).
For the podcast I co-host, Daughters of Darkness, we finished up our two-part look at independent American horror films inspired by Stephen Thrower's Nightmare USA. We did two American Gothic-themed double features: one on Roger Corman's The Raven & Masque of the Red Death, and another, All of the Them Witches: Superstition, Eyes of Fire, and the Calvinist Gothic.
I also made a guest appearance over at Werewolf Ambulance, a horror-comedy podcast, where the hosts Alan and Katie were kind enough to endure me talking about my extreme love for Amityville II: The Possession for almost an hour. Incest, possession, a shit room, etc.