Francesco Barilli, 1974
Starring: Mimsy Farmer, Maurizio Bonuglia, Aldo Valletti,
Donna Jordan
Sylvia’s life is beginning to unravel. After she sees a
picture from her childhood and is forced by her friends to sit through a séance,
memories from her childhood begin to haunt her. She sees the ghost of her
mother in her bedroom mirror, a woman in black applying perfume. Is she losing
her mind or is she the victim of a conspiracy? Those around her, including the
infirm neighbor in her apartment building, another neighbor who claims to be
her friend, and Sylvia’s demanding boyfriend all begin to act strangely towards
her. Just as her paranoia and suspicion grows, a sinister man from her
childhood starts following her around and a young blonde girl comes to visit
one night. What is going on in Sylvia’s life?
This neglected Italian film is only loosely a giallo and
delves far more deeply into the category of psychological horror. As with
Sergio Martino’s All the Colors of theDark, the central plot revolves around a woman who may be losing her mind
or who may be the victim of a cruel conspiracy involving those closest to her.
As with ‘70s horror films like All the
Colors of the Dark, The Corruption ofChris Miller, The Witch Who Came from the Sea, and Let’s Scare Jessica to Death, this is largely concerned with the
effects of a past trauma on a woman’s adult life. Sylvia’s father drowned, her
mother was raped, and later died suspiciously (she possibly committed suicide).
Sylvia was likely abused by her mother’s aggressive lover. A photograph kicks
off painful memories of the past and soon she begins to smell her mother’s
perfume, which triggers her psychosis.
There are dream sequences (it is impossible to tell whether
these are waking hallucinations or actual dreams), lapses in time, a hint of
the ghostly and the supernatural, and a double: Sylvia’s younger self who comes
to play. It’s impossible to concisely describe this film, though you will
absolutely love it if you enjoy the works of David Lynch, surreal giallo or
Italian horror films like Don’t Look Now,
Lisa and the Devil, Short Night of Glass Dolls, Lizard in a Woman’s Skin, KillBaby Kill, All the Colors of the Dark, and House with the Laughing Windows, or Argento’s Suspiria and Inferno, though
it is probably most like a blend of Roman Polanski’s Apartment trilogy (Repulsion, Rosemary’s Baby, and The Tenant).
Stylish and disturbingly poetic, the film greatly
benefits from Nicola Piovani’s impressive, melancholic score. There’s some
lovely cinematography from Mario Masini that seems to have been somewhat
influenced by Mario Bava, though perhaps that sort of comparison is inevitable.
The film also benefits from some solid performances, namely from its lead. Mimsy
Farmer (Four Flies on Grey Velvet,
Autopsy) is excellent here as Sylvia, appearing in nearly every frame and
running through the gamut of an unhinged female victim type: vapid, blank,
confused, terrified, disoriented, reactionary, sympathetic, sexual, violent,
etc. While she’s not the most memorable actress in Italian cinema, she’s
perfect for this role. Farmer is American born, though most of her major
performances were in European films. Ironically her nickname, Mimsy (her real
first name is Merle) is from a line in Lewis Carroll’s Jaberwocky. The young Sylvia has a strong resemblance to Alice of Alice in Wonderland and the two Sylvias later
reenact the Mad Hatter’s tea party.
The Perfume of the
Woman in Black isn’t a perfect film and it won’t please everyone. It gets
off to a slow start and builds carefully. The plot is frequently confused,
turns in upon itself, and stumbles on a few early non-sequitors that don’t lead
anywhere, but add to the disorienting, threatening mood. Examples of this are
the scene where they discuss the presence of magic and witchdoctors in Africa,
and when Sylvia cuts her finger on a tennis racket and her friend erotically
sucks the blood off of her hand, to her disgust. What would feel like a normal
scene – or most likely filler – in another film, has a menacing, unpredictable
quality here.
The Perfume of the
Woman in Black has been released
on DVD from Raro Video, another in their increasingly impressive catalogue. I believe they also have plans to release it on Blu-ray at some point. The film
comes highly recommended. It is far from predictable and is perfectly suited
for multiple viewings.
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