Larry Cohen, 1987
Starring: Michael Moriarty,
Karen Black, Laurene Landon, James Dixon
Several years after the events
of It’s Alive and It
Lives Again, mutant babies have become public knowledge, and are
generally exterminated on site. One of the infants’ fathers, Stephen Jarvis, is
acting as a witness in a trial where the infants' fate will be decided. A
compassionate judge decides that because they are capable of love and
compassion, they should be spared. He orders their removal to an isolated,
tropical island. Stephen’s life, meanwhile, is not going very well. His ex-wife
Ellen doesn’t want anything to do with him, women won’t touch him once they recognize
him, and he can’t seem to get a job. Worst of all, a book full of false
information is written about his experience and life.
After a few years, Stephen is dragged somewhat against
his will to the island to check on the babies. Of course, they are still
deformed, mass murdering psychopaths, and they promptly slaughter everyone in
the expedition except for Stephen. They want him to take them away from the
island, but they all wind up shipwrecked in Cuba, and Stephen is taken captive
by Fidel Castro (I wish I was making this up). Stephen escapes and he and the
babies find his ex-wife Ellen. For some reason, the mutant children are sick
and dying, and they want to pass something precious onto Ellen: a baby of their
own.
The make-up and effects are
certainly more uneven than in the first two films. The “babies” are now
essentially adults wearing rubber suits and though they look a little silly, we
don’t see a whole lot of them. The film doesn’t explain why they’ve grown
up in only five years. There is a lot more gore, death, and violence in this
entry, though so much happens that it feels more spaced out than in the earlier
films. It’s Alive III has pretty
much everything, including a mutant baby delivery in the back of a New York cab,
a courtroom drama, a carnival scene with a prostitute, a punk rock nightclub, a
lengthy trip by boat, a tropical island, Cuba, and so much more. It’s dizzying.
There’s a lot more comedy thanks to the great Michael
Moriarty, a Larry Cohen regular who also appeared in The Stuff and Q, as well as everything from Law and Order to Pale
Rider. Some of the humor is awkward or ill-timed, so if you don’t love
Moriarty, this might feel like the weakest entry in the series.
This was shot back-to-back with Return to Salem’s Lot, the sequel to
Tobe Hooper’s made-for-TV Salem’s
Lot, but does a lot despite its low budget. It’s overwhelmed with action, changes of scenery, and social
satire. It runs the gamut from punk-themed nightclub to seaside carnival to
Cuba, of all places. I don’t really understand why Cohen felt the need to put
references to Cuba and Fidel Castro, but the more the merrier, I guess.
If you liked the first two films, there’s no reason you
won’t also love this one. My only major complaint, aside from the fact that
simply too much happens, is the presence of Karen Black as Stephen’s ex-wife
Ellen. I know Black (Burnt Offerings, Trilogy of Terror) is considered a
classic genre actress, but for about half her films, she really gets on my
nerves. She has some funny scenes here, namely when she pretends to vomit in a
would-be blackmailer’s car and then runs hysterically screaming into her
apartment for seemingly no reason. It’s a good thing she has about five minutes
of screen time total, though.
It’s Alive III: Island of
the Alive is
available with the entire trilogy on a two-disc DVD. If you enjoyed the first two films
and the work of the wonderful Larry Cohen, you’re definitely going to want to
pick this up. It has more comedy and improvisation than either of the first two
films, but Michael Moriarty is a delight and it’s nice to see that Cohen made
an effort to take the film away from the suburban focus of the first two
entries.
No comments:
Post a Comment